Now note how the end of the linle finger aligns with the knuckle of the terminal phalanx of the fourth finger. Not all people show these equal lengths exactly, but a large enough majority have (hem to make this a feasible premise. Also, the lips of the index and fourth fingers terminate at the nail bed of the middle finger. Check this in both draw ings and on your own hand. The schematic drawing at right shows, the index and fourth fingers to be equal in length. Thus the first phalanx and finger knuckle (B to O is half the length of the entire finger the middle phalanx and second knuckle fl) to F) is half the length of the first phalanx and if the terminal phalan* (D to F> is divided, we have the length of the fingernail (E to F). Every section of the middle finger is half the length of tlx: one above it. The palm at its longest point (A it) H) is the same length as the middle finger (B to Fj. Second, the thumb emerges from the palm as a narrow triangular wedge extending at about a 25* to 30-degrce angle. the palm begins at the center of the wrist (Ay and extends to the base of the middle linger tB)* whieh forms part of the palm knuckle bulge. Note two important measuring cucs shown here, First. The palm is I he governing form of the hand, and it vanes in shape from rectangular to square From it, proportions and measurements of the entire hjnd can be determined. You will also see the underlying symmetry and unity of the structures of the hand. Once the interrelated measurements are understood, you can create dynamic and alive hands without needing a model. This article will introduce essential measuring cues and their use in drawing the hand in correct proportion. To draw the hand accurately and with precision, you must know how to relate the individual parts to each other and how to unify the separate elements- A knowledge of proportions is necessary in art and should be used as a learning stage to new expressive adventures. Anyone who has tried to draw the human figure has quickly learned that the hand is among the most complex of the body forms.
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